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Métamorphose - Messe Pour Le Temps Présent
Artist: Pierre Henry & Michel Colombier
Year: 1976
Country: France
Catalog No: Philips – 456 640-1, Philips – 456 650-1
Format: Vinyl Lp-2
Specification: vg+/vg+

7:30
A2 Prologue (Chris The French Kiss Mix)
2:45
A3 Psyché Rock (William Orbit Invisible Mix)
10:09
B1 Jericho Jerk (St. Germain Mix)
8:21
B2 Teen Tonic (Dimitri From Paris Mix)
7:17
B3 Too Fortiche (Tek 9 Beatnik Trip)
5:57
C1 Psyché Rock (Coldcut's Computer + Hex Chopped Up Mix)
7:35
C2 Too Fortiche (The Mighty Bop Mix)
6:29
C3 Jericho Jerk (Funki Porcini Mix)
4:59
D1 Too Fortiche (Chateau Flight Mix)
5:36
D2 Psyché Rock (Coldcut Psyched Out Mix)
7:19
D3 Psyché Rock (Ken Abyss Metal Time Machine Edit)
A2 Prologue (Chris The French Kiss Mix)
2:45
A3 Psyché Rock (William Orbit Invisible Mix)
10:09
B1 Jericho Jerk (St. Germain Mix)
8:21
B2 Teen Tonic (Dimitri From Paris Mix)
7:17
B3 Too Fortiche (Tek 9 Beatnik Trip)
5:57
C1 Psyché Rock (Coldcut's Computer + Hex Chopped Up Mix)
7:35
C2 Too Fortiche (The Mighty Bop Mix)
6:29
C3 Jericho Jerk (Funki Porcini Mix)
4:59
D1 Too Fortiche (Chateau Flight Mix)
5:36
D2 Psyché Rock (Coldcut Psyched Out Mix)
7:19
D3 Psyché Rock (Ken Abyss Metal Time Machine Edit)
3:26
Appears to have 2 Cat#s: 456 650-1 (label, run-out), 456 640-1 (sleeve, run-out).
"Thirty years have elapsed between maurice Béjarts ballet Messe Pour Le Temps Présent (Mass For The Present Day), based on the composition by Pierre Henry and Michel Colombier, and this Métamorphoses, a collection of remixes from some of the biggest deejays of the house, techno, trip-hop and jungle scene." Translated from French by Miriam Rosen (quoted from insert)
A1
Psyché Rock (Fatboy Slim Malapaso Mix)
"Thirty years have elapsed between maurice Béjarts ballet Messe Pour Le Temps Présent (Mass For The Present Day), based on the composition by Pierre Henry and Michel Colombier, and this Métamorphoses, a collection of remixes from some of the biggest deejays of the house, techno, trip-hop and jungle scene." Translated from French by Miriam Rosen (quoted from insert)